It starts with the scent of
lavender as she
buttons clean pantaloons, laces up
stays,
smooths her bodice and shakes out
the frills,
ties the black ribbon about her
neck.
Her costume smells, as they all do:
mingled
sweat and makeup, the fabric
itself,
splashed, perhaps, with the
licorice twist of absinthe.
Then come powder and rouge, the
small earrings,
a pink and white corsage already
starting
to droop. Her props are placed on
view: beer bottles,
champagne, a vase containing two
pale roses,
cut glass bowl of oranges that may
or may not indicate a certain kind
of availability. Leaning on
the marble bar, she doesn’t look at
you
(Why should she look at you? Can
you give her
what she needs, or even cab fare
home?):
posing, perhaps, or perhaps beyond
posing,
her face bleak, artificially rosy
amid
the moon-pale globes and crystals
shimmering
in the ersatz heaven of the
cabaret.
Perhaps a man inspects her in the
glass,
perhaps he’s looking past; neither
of them
seems to see the woman on the
trapeze,
feet squeezed into ankle boots of
lizard green.
Later, she observes his red-gold
lashes,
watches his still-young face
slacken in sleep,
breathes in his scent of cigars,
cheap brandy,
scent that clings to her fingers
like orange
oil as she works her nails beneath
the skin,
methodically stripping the pith to
find
whatever’s left of the fruit’s
sweet flesh.
-- Katherine E. Young
Katherine E. Young is the author of Day of the
Border Guards, 2014 Miller Williams Arkansas Poetry Prize finalist, and two
chapbooks. Her poems
have appeared in Prairie Schooner, The Iowa Review, Subtropics, and many others. Young is also the
translator of Two Poems by Inna Kabysh; her translations of Russian and
Russophone authors have won prizes in international competitions and been
published widely in the U.S. and abroad; several have been made into short
films. Young is a 2017 National Endowment for the Arts translation fellow and
currently serves as the inaugural Poet Laureate for Arlington, Virginia. http://katherine-young-poet.com/
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