Saturday, March 19, 2016

Splendid Wake #4—A Debrief

I think this was our most community-oriented Wake that kept people talking outside the library! Hiram Larew in an email to the Wake Steering Committee called this event historic and I agree.

Joanna Howard
We had some very big obstacles this year relative to leadership and then in the 11th hour, our program was reduced by 30 minutes because the program occurred during GWU’s spring break when the library reduces hours. We were very lucky that Joanna Howard was able to return to her leadership role. She had stepped back last fall from her Splendid Wake activities given some medical problems within her family.

To keep things manageable, the steering committee decided to limit the program to three topics instead of five, which we had last year. Here, the stars aligned because when we were told we had less time for the public program, three programs made it much more possible to present a meaningful program within a 90-minute period.

HIGHLIGHTS OF WAKE #4

—Among the three presentations was variety that included recorded “The Poet and the Poem” readings of poems by lost leaders of our DC lit community, projected photographs from the Letras Latino experience in DC, and an interactive panel on translation that had a teaching element.
—Participants were good about keeping their allotted timeframes and this allowed for audience to ask questions and make comments.
—Having an earnest moderator like Patrick Washington helped glue the parts together and keep the action moving forward.
—The warm introduction by Gelman Librarian Chief Geneva Henry set the tone for success. She said, “I know it’s spring when Splendid Wake comes to Gelman.”
—The paper program booklet similar to last year’s was exactly what we needed to follow along with the event schedule and understand why we do these Wakes.

SPECIFICS ABOUT THE PANELS

The Poet and the Poem: Voices from the Past

Grace Cavalieri
Grace Cavalieri, the founder of The Poet and the Poem—a long running radio program that began 40 years ago on WPFW-FM and now comes through National Public Radio uploads from the Library of Congress, presented selected readings from our honored dead—Belle Waring, Essex Hemphill accompanied by Garth Tate, Lucille Clifton, Sterling Brown, May Miller, Ann Darr, Reid Whittemore, and Rolland Flint. The recording of Sterling Brown reading “After Winter” is the only record of Brown reading his poetry. While I was profoundly moved by the selections Grace picked for this presentation because I had actually heard each of these poets read live from his or her work, others in the Splendid Wake #4 audience were hearing some of these voices for the first time. Starting with our honored dead was the perfect place to begin this Wake.






Letras Latinas: Latino/a Poetry in DC

Dan Vera
Francisco Aragón and Dan Vera introduced the literary community in the room—about 60 strong—to the Letras Latinas project and award. While Letras Latinas was established in 1999, the emphasis of this discussion was on gathering community around Latino writing being written in the Washington, DC area and the Nation. One of their points that hit home with me is that the Hispanic population in the United States is increasing and we as a literary community need to welcome Hispanic writers as one of us. Dan Vera’s reading of his poem “The Cuban Friendship Urn” was timely not only for President Obama upcoming visit to Cuba but also sobering commentary on how a gift from Cuba “now stands majestically/ beneath an overpass/ beside a parking lot/ behind Jefferson’s enormous shoulder.” Vera won the first Letras Latinas/Red Hen Poetry Prize for his book Speaking Wiri Wiri in which “The Cuban Friendship Urn” is published.


Francisco Aragon and Dan Vera


Crossing Borders: Literary Translation in DC

Barbara Goldberg created this panel inviting Nancy Naomi Carlson, Roman Kostovski, and Ting Wang to participate. All are members of DC-ALT, a translation group that sponsors writing workshops for people who would like to translate or who already are working in the field. What I particularly liked about this panel is that Barbara and Nancy talked about their process for translating. Roman spoke about his new publishing house for Eastern European languages and how the DC area is such a rich resource given the embassies here and the active literary circles and meet-up groups. Barbara also made an important point about how Myra Sklarew (one of the founders of Splendid Wake) had included a translation course in the requirements for the MFA degree she developed at American University.

Barbara Goldberg, Roman Kostovski, Nancy Naomi Carlson, Ting  Wang

Special shout outs to Jennifer King for making the logistics of all this work so well and let’s keep
Jennifer King
fingers crossed that Steve Castro shot a viable video.

To Joanne Howard for the Herculean job of creating the printed program brochure and making sure everyone was in place for the live program.

To Sunil Freeman for sitting as the hard-working timekeeper.

To Ginger Ingalls for running the mike around the room during the question and answer period.

To Jacqueline Jules and Jim Hayes for taking photographs.

LESSONS LEARNED

Less is more. I like the idea of only presenting three panels or subject areas for our next Splendid Wake. This creates excitement among attending audience and panelists alike by not overwhelming.

Moderator needs advanced briefing. It’s best to give our program moderator time to understand what the program entails and if possible have that person attend one of our steering committee meetings.

Honored Dead & Here and Now. It’s important to have the lead presentation bring voices of honored dead into the room. While both the Letras Latinas and Translation panel had some element of addressing history, I think the greater portion of our program must address the here and now. This is how we are going to build community.

Karren L. Alenier

3 comments:

  1. I love the focus and agree on building community in the present. A good idea might be that deceased poets's work is read out loud, especially if no recordings are available.

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