This unpublished book manuscript from three Washington
conferences,
featuring twelve poets, is now archived at the Gelman
Library
During the war in Viet Nam
(1968, 1969, 1970), the University of Maryland, with some grant money from the
National Endowment for the Arts, convened three conferences, bringing together
each time four or five poets and about 20 “delegates” (editors, teachers, and
other poets) to grapple with the issues of war, poetry and propaganda, race, education
and morality, and the nation’s changing identity.
The availability of poet Reed
Whittemore, a faculty member at the University of Maryland who was widely
experienced as an insightful, effective moderator, guaranteed that these annual
conferences would attract wide interest and adequate funding.
We called in as panelists
some poets who had been writing about these matters. They were placed at a table onstage. Just below them was a section of seats
reserved for invited delegates, with access to microphones. A fairly sizeable audience was in attendance.
During each morning and afternoon session the poets read “position papers”
which were discussed among themselves and with delegates. These proceedings, the heart of the
conferences, were recorded and later transcribed and edited for possible book
publication. Each conference ended,
appropriately enough, with the panelist-poets giving an evening reading of some
of their poems, selected for their relevance to the conference topic.
The very active delegates for
each conference are too numerous to mention. Most of them were poets or editors
or teachers of poetry from the Washington area. The 1968 conference is where
many of the Washington poets of that time first got to know each other.
With Reed Whittemore as
moderator, the specially selected panelist–poets for each conference were as
follows:
1968 – James Wright, Louis
Simpson, and Daniel Hoffman.
1969 – Robert Bly, Senator Eugene McCarthy, John Unterecker,
and Ted Weiss.
1970 – William Stafford, Howard Nemerov, Raymond
Patterson, and Denise Levertov.
A final conference, in 1971,
was no longer related to the issue of national conscience and was not
recorded. The panelist-poets in ’71 were
William Mathews, John Logan, Donald Hall, and Michael Harper.
Editing the recordings into a
publishable typescript was a large and time-consuming task. Because the recordings were sometimes faulty
and indecipherable, there was a good deal of back-and-forth with the poets and
delegates for final approval of their words. The assistant editor, my graduate assistant,
Eugene Harding, worked hard and well, but we couldn’t keep pace with history.
As the war was winding down in 1971, Harper and Row, having shown interest,
decided (wrongly I think) that this creative and imaginative response to war
would not survive the actuality of that particular war. By 1972, other
publishers sensed that the country wanted only to forget the war. The book was
never published.
However, on the occasion of the
recent founding of the Washington Poetry Archive, a growing collection of books and
documents being gathered at George
Washington University, the manuscript of Poetry
and the National Conscience is now available to scholars and other readers.
By way of transfer from off-site storage, it is available in the Gelman
Library’s Special Collections unit, on the 7th floor.
The poems read by the poets
in the evening sessions having been deleted, the manuscript is now 173 pages.
For purposes of this blog,
here are some sample quotes from some of the dozen poets. They seem to me fully
as penetrating and important as they were during the American people’s part in
that war and in the concurrent struggles for racial equality.
Louis Simpson: In
America the wish to destroy other people has never been so
strong because we will not transform ourselves into
better men. . . .The next problem is the
impulse to self-destruction.
Ted Weiss: We must
not luxuriate in that last pleasure, guilt.
Raymond Patterson:
. . . a
death-dealing confrontation with the cultural bias in the language, a bias that
has to do with things black.. . .
William Stafford: A pattern that others made may prevail in the world, and following the
wrong god home we may miss our star.
Denise Levertov: [The poet] has an obligation to put his own body where his words have
preceded him.
Howard Nemerov: The world does not respond to these eloquent
chidings by getting better. . . .I am backing away from putting my body where
my words are. I want my words to be freer than that. . . .
Samuel Allen:
.
. . black consciousness [is] a form which slouches toward the continent of its
integrity to be born.
James Wright: Those
great polemical poems from the past and the bad poems about the war in Viet Nam
[are equally] the will trying to do the work of the imagination. . . refusing
to think.
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